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- 360 degree room for all colours, 2002
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- Beauty, 1993
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- Room for one colour, 1997
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- Your mobile expectations, 2007
- Your mobile expectations, 2007
July 2009 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Archives
Your mobile expectations, 2007
76 Comments
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This looks like a futuristic giant-sized armadillo exoskeleton. When you see it in person it takes your breath away. Literally. Cause it’s damn freezing in there! Yes, this “car” lives in a giant freezer.
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The Gillette 648-blade razor.
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The artist is a genius, what else can I say?
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nice job on it i like it
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I never could have dreamed of such a thing. But obviously somebody did.
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To me it sort of said off limits to the luxury car as if one day a car and its convenience will be frozen in time
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From my (original) review, then cut: Down on the second floor, in what is formally a separate exhibition (it will close in January, and not travel), stands the strangest of all Mr. Eliasson’s creations here. The 16th in a series of “art cars” commissioned by BMW, it looks like a giant lacy-shelled beetle made of ice, and is kept in a refrigerated chamber so that the work of art will not melt. Visitors, admitted in small groups, are offered gray blankets to wrap in.
All 15 other artists asked to design an art car for BMW since 1975 (Calder, Warhol, Lichtenstein, Robert Rauschenberg, David Hockney, Frank Stella, Jenny Holzer et al) used the car offered them as a smooth, three-dimensional canvas, and painted its surface in their typical styles, like Calder’s multicolored DC-8 for Braniff Airways. Many of the cars they painted continued to race, and ended up in the BMW Museum in Munich. Mr. Eliasson’s version is unlikely to share either of those fates.
He first stripped the experimental racing car down to its chassis. Then he and his team spent months designing a metal armature and screens to cover it. They ended up with a basic chicken-wire grid underneath a complex (and beautiful) pattern of curving lines connected by triangles. This double screen was then sprayed (first in Berlin, then in San Francisco) with more than a thousand gallons of water inside a refrigerated space, until the water turned to ice. The ice totally covers the screens, drips off in icicles, and completely hides the car, from which a yellow light gleams.
BMW pretends to be pleased with the result, even though commentators have interpreted it as a statement about the obsolete nature of automobiles–like this prehistoric mammoth dug out of the ice; an image of foolish speed frozen solid (de-iced and whole, the car reached 187 mph); and a warning about global warming. In defense of BMW and the museum, I should add that the original car used liquid hydrogen rather than gasoline; and all the energy required to keep a 9600-cubic-foot refigerator running at 14º F 24 hours a day for six months comes not from fossil fuels, but from a field of environmentally benign geysers and underground geothermal energy sources, 72 miles north of San Francisco–a very Icelandic gesture.
I found the ice car gorgeously strange rather than environmetally inspirational, but social metaphors in art often go over my head. No doctrinaire Scandinavian socialist, Mr. Eliasson has also designed installations for Enron in Houston (alas, never completed), Volkswagen in Wolfsburg, a bank and an insurance company in Munich, and a Paris showroom and shop windows for Louis Vuitton. -
Stay for a while in the mist and the round prism of light. Give yourself a break. Look over at the other people. Think about what life is like inside these pieces. Take it with you. The world is really like this, but it just takes a little bit more vision.
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……water, soil and light…thank God for his creation
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This space takes you out of your comfort zone and creates a heightened awareness of self and your relationship to the object which you are consuming. Often you go into museums only to find everything looking so similar after several hours of being there. This room is not like all the others, and makes you highly aware of being there. The frozen form itself feels impermanent to me both in form and its material ice. One gets the feeling that it won’t last for long without an artificial environment to sustain it. I wish it could live permnantely without so much energy to sustain it.
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I think this was really cool. The artist broke the boundries of the real “definition” of art. It makes you want to say why didn’t anyone else think of that because its so simple but yet nobody thought of it. You say its not simple? Well its just ice!
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Eliasson’s art is truly multisensory. This piece wakes you up, with your whole body reacting to the change in temp to 10 degrees Farenheit, clutching your soft warm blanket around you.
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Stepping into a freezer, I love exhibits like this that really take art into totally new (to me at least) directions.
I think it gave me a stomachache though
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more than just a work of art but an experience. it is what you make it.
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I was in here for 15 minutes without a blanket! And my shirt was wet from the mist exibit! Beat that!
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This was a cool piece (no pun intended), but I am disappointed that there are no photos of the room full of his macquettes and models…that was my favourite part of the exhibit.
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This was a great exhibit to bring my two teenage boys to see (12 & 15 yrs old). I found it was better to experience without the use of the audio tape interpretive due to interactive quality of the show. The film of the artist in his studio (beside the ice-car room) was very hard to hear; there should be subtitles if the audio is so poor. You know its a good show when the museum room monitors are excited to point out interesting parts of the works you may have missed. Go see it before the freezer’s unplugged and the water is turned off!
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if this show is still on on friday will look see and then comment -fom thumb nails looks very good
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Running a giant freezer is using extra power that is increasing global warming !!!!!!
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While the ice car itself is amazing, the freezer room it is in adds to the experience of the exhibit. Go back and forth from the top floor to the freezer and see what it does to your perception.
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to the anonymous comment above regarding the power needed to run the freezer: if you look at what David Littlejohn says you will read: “all the energy required to keep a 9600-cubic-foot refrigerator running at 14º F 24 hours a day for six months comes not from fossil fuels, but from a field of environmentally benign geysers and underground geothermal energy sources, 72 miles north of San Francisco–a very Icelandic gesture.”
other than that i think the piece is stunning and otherworldly. i have visited the museum 3 times so far and still want to go another 3…until i saturate myself with his amaizng art…
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I haven’t been this moved by any art in a long time. Just read THE ROAD by Cormack McCarthy and I thought I had stumbled onto to a “lost civilization” with the ice car and the people shuffling around all grey clad looking at some remarkable artifact.
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it all brought a smile to your face and then you watch them unfold on those around you. That is the best
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dude this is sick
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an amazing exhibit full of simply beautiful surprises. so many things to see and experience. not only are they things you can see, they are things you can feel and smell. you use all of yourself to expreience his art. i loved it.
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when the polar ice caps eventually melt, and we’re forced to give up driving to save the remnants of ozone, allowing us to breathe freely from our remaining lung and stave off extinction, this will help our great-great-great-grandchildren remember how us 20th/21st Century fatcats f&#$@d it up for everybody…
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I wonder what inspired him? Ah well, I find his reflection of the enviromental problems we face fantastic.
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Fab site w. free instant speach
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Like an insect carapace in amber: this glowing fossilized matrix of motion. Frozen.
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This ice chamber is the reverse of a “hot-house”–another chamber devoted to ensuring the survival of that which is fragile during inhospitable climatic conditions. A metaphor for the all-important environment we can’t see, and as a result ignore. Here it’s made visible and tangible, searing skin and bone.
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Thought his work was outstanding. I, too, thought this was a giant armadillo. Guess what? It is not.
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When I got to the museum I wasn’t feeling well. I was wandering around taking in all of the beautiful paintings….but I couldn’t really be present. I felt a seperation, and it was frustrating. When I walked in, the cold of the room and the light coming out of the ice made me feel clean. I became present. And I felt better.
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I stepped inside the freezer and immediately said, “It’s like Pennsylvania.” It brought back memories of people scraping ice off their cars on cold mornings. No car in PA ever looked this beautiful, though. The lights glowing within it add to the strange beauty of this piece.
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it was hella freasing!
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The entire exhibition was fantastic. I’ve decided after seeing it that he is my new favorite artist.
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Is it art? Well, it makes you look and makes you think, and that’s something.
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how awesomely cool
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very cold in there i needed at least 1 blanket
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who could not be impressed…it made you think, feel, and most of all show you that new art is being made and we get the pleasure of enjoying it. strangely, the cold felt great. Really helpful and happy staff was a plus…
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I appreciate David Littlejohn’s observations. Could be a forecast of where the relics of our society are found, because the hydrogen car came too late.
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Before reading D.Littlejohn’s description I didn’t have the context for the car (I thought, ‘why a car’) and now I understand, it is great, he turned a car (the most ubiquitous form of life humans have created) into a kind of 2nd Ice Age fossil, like a giant trilobite. Also I have to say on first visiting this I thought about the energy cost of refrigerating this, so I guess it is through Calpine’s geo-thermal plant in N. Calif. (I’d like to know how that works within the existing power transmission network, isn’t all the power going through the same lines, whether geo-thermal or coal/oil powered?). I am disappointed in Littlejohn’s revelation that Eliason has designed for such consumer businesses as Louis Vuitton; I believe we need MORE ‘doctrinaire’ Scandinavian ’socialists’ (what is the matter with US culture that this word is treated as a term of opprobrium?)
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followup to my own comment- also disappointing/jarring to see Mikhail Gorbachev lending himself to Louis Vuitton ad campaign, perhaps he needs the money.
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wouldn’t the making and the freezing of the car cost more carbon credits than running it normally?
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Hii
i was wondering that if you could describe the pictures because the people that have not gone yet want to know what is and what does it do.
thanks!! -
that is what makes it more atractive!!
believee mee i am a museum owner and this is awsome but you have to describe the things that are in your pictures in order to have more peoplee!! GOOD LUCKK!
loovee youu guyss! -
When you look at this, it looks like he immitated the BMW Concept Coupe interior from May, 2006. The Concept Coupe had an origami metal interior. Copycat work.
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I couldn’t figure out what wasting electricity had to do with climate change.
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I walked in here with my girlfriend, and she was overcome with a sort of claustrofrozebia. She may have set the world’s record for shortest visit to the ice car.
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While I was breathtakingly inspired and moved by the Take Your Time exhibition, I was frustrated by the car. It seemed such a cheap, obvious statement, not at all creative, and using a hell of a lot of power, no matter whether it came from fossil fuels or geothermals. If the artist really cared about global warming, he would have found a more appropriate way to make the statement. That said, the frozen car was beautiful– but don’t con me that it really an expression of environmental concern.
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that’s really cool
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awesome
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The car in the freezer was awesome. i was scared though. i even asked if it was safe!!!
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We thought the idea was awesome. But the thought of trying to make a message about global warming and then using all that energy seemed a little silly. We had a lot of fun though
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I loved to go into the place to see the frozen car. It was very cooolllddd in there, but the car was very COOOOOOL.
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it was nice. lol
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this muesy-muesy is rather confusing, for my dad gets on my nervs almost every srcond of every hour of every DAY.
i like the cold place it makes me shiverrrrrrr, hi
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What is the carbon footprint of this exhibit?
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preety cool!!!!!!!!!!!!!
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i thought this was COLD but beautiful (i would bold that if i could) :]]
P.S. the gray blankets were a nice cozy touch :]]
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That Ice Sclupture is so cool!!!
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it really streched my mind. It made me think about how much we (humans)depend on cars. The exhibet was also very beautiful. The shape of it, with the icicules hanging down was mind boggling. thank you for the amazing ideas brought to the tragidy of global warming.
It was an intresting expierence.
-anabel -
Just out of curiosity, what is the carbon footprint of this exhibit?
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Like so much of Olafur’s work, Your Mobile Expectations is an arresting experience. It’s helped by the suspense building instructions and preparations before entering the walk-in freezer. The experience of the chilled environment only heightens the oberserver’s engagement with the object.
There is something immediately challenging about a car concealed beneath ice. For this observer it is a mixture of wonderment and absurdity: the former from the beauty of the ice sculpting and its curved lines, the latter from the fragility of an exterior that surrounds a moving vehicle. That’s the point one must presume: it’s a statement about the delicate relationship between one actions and one’s environment. -
To me this work is haunting, but not because of its manifest agenda…it is literally cold and calculated, literally moral and ironically immoral, consciously controlled and aware, rationally caring down to the gray fleece blankets offered/imposed upon visitors to the frozen space. Covered in blankets, ushered into this freezer in groups, warned not to touch anything, spectators become part of the installation, dressed up to play the part of shock victims or refugees in a totalitarian space of fragility.
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This was really cool!
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Not for this peice but for the corridor with the jutting-out shapes I think it’s Penrose tiled but I couldn’t quite tell….
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Please don’t lick the sculpture.
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Well, I disagree w/this so called “Anonymous”. While what you said about it is mostly true, I feel that this is more like what the future ought to be, anyway. Refugees? Totalitarian? Freezer? How did you arrive at that interpretation? After all, this is what today’s laboratories and hospitals are beginning to look like. How on earth can something so familiar be “haunting”?
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makes me wanna cry.
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it was cold adn reminded me of my days working in a retuarant where we had to enter the walk in. I would have rather seen a Bug inside the glass dome. I enjoyed donning the soft gray blankets. It was more about the experience of walking into an icy artificial space while being in non-cold climate SF – an amusement – than the art of it.
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I loved beauty!!! It was all I needed to see.
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This is an very cool sculpture.I wen with my class for a field trip on Jan 11 and we really enjoyed this!
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I think it is a very nice artifact. To show people what you made by ice. I like it because it was so cold inside. It was cold inside because the Ice Car will melt and it was cold because of global warming.
-Flor Maria Choy, Age 9 -
Really enjoyed seeing this part of the exhibit. Fascinating to feel the cold, & see the ice & lights, shape of what was a car!
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This is a wonderful way to teach topology and 3d geometry to kids and I am interested in making this happen. I am applied math teacher. a catalog of models would be very useful
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For me the ideas seems to be that in life, what matters is not the object, the attachment to thing but the process of experiencing life. He is throwing our worldly value system into question with profound beauty. I hope I can see Olafur’s in the real one day.
sadie b
3 Trackbacks/Pingbacks
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[...] the best I’ve seen outside the Art Institute of Chicago. Coolest item from the Eliasson: the “frozen car” (Your mobile expectations). They keep it in a giant freezer and you need a jacket to go in [...]
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[...] piece is “Your Mobile Expectations” and the whole overblown sheebang was sponsored by BMW. Now, traditionally, art does not have [...]
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[...] They’d decided last minute to come get away for Christmas and landed in our neck of the woods, we got a call from them out of the blue a few days ago. We dragged them around SFMOMA (museum of modern art); T liked the frozen car exhibit the best. [...]













“This space takes you out of your comfort zone and creates a heightened awareness of self and your relationship to the object which you are consuming. The frozen form itself feels impermanent to me both in form and its material ice. One gets the feeling that it won’t last for long without an artificial environment to sustain it. I wish it could live permnantely without so much energy to sustain it.”